More promo photos for the Chanel’s “Coco Neige” Line have been added to the gallery.
LuckyChap Entertainment and Automatik have teamed with Good Films to option Firefighters, based on Jaime Lowe’s New York Times Magazine article The Incarcerated Women Who Fight California’s Wildfires. Script will be written by Carly Wray, the Westworld and Mad Men writer/producer who recently was tapped to write one of HBO’s Game of Thrones spinoffs. Good Films will finance. The parties took the article off the table in competitive bidding.
Brian Kavanaugh-Jones, Fred Berger and Rian Cahill will produce for Automatik, and Margot Robbie, Josey McNamara and Tom Ackerley will produce for LuckyChap Entertainment, with Scott Budnick producing through Good Films. Lowe will serve as executive producer.
Film is based on the true story of a dozen female prisoners as they move from county jail to life in a Malibu fire camp. With only three weeks of training, the diverse crew must bind together not only to fight devastating blazes, but also their own personal demons and a system that seeks to keep them invisible. It is a task they signed up for, and get paid $2 an hour to risk their lives.
LuckyChap Entertainment, which produced I, Tonya and recently wrapped (with Automatik) the Robbie-starrer Dreamland, is repped by Management 360, CAA, and attorney Jeff Bernstein. Wray is repped by WME and Grandview and Lowe by UTA and The Jud Laghi Agency. Automatik is in post on the Karyn Kusama-directed Destroyer with Nicole Kidman, the Chris Weitz-directed Operation Finale with Oscar Isaac and Ben Kingsley, and Dreamland.
Good Films was launched by Budnick to fund films that will engender social change. He recently lobbied for the state of California to hire formerly incarcerated men and women into firefighting careers, and in January, Governor Brown included this program in the state budget, the first program created in California’s history to intentionally train and place released men and woman into careers where they will be fighting wild-land fires and saving communities. Endeavor Content is a lead investor in Good Films.
In UK cinemas on July 6th. On DVD, Blu-ray and Digital on August 6th.
As Terminal is hitting screens in Russia and across the globe, TASS’ Dmitry Medvedenko speaks to Academy Award nominee Margot Robbie, the film’s star and producer, about what it’s like to do two jobs at a time, how titles get lost in translation, and how she feels about bad reviews and low scores.
– Terminal is coming to theaters across the globe, you filmed two years ago, and the world has somewhat changed over these two years, hasn’t it?
– Yes, definitely. At LuckyChap, our company, all of our films have a large female element to them, whether it’s a female-driven story because there’s a female protagonist, or written or directed by a female. Obviously, in the last just 8 months, after the #metoo and #timesup movement suddenly we had to look at our projects differently, and some suddenly felt even more relevant, while some felt less relevant. It’s a very big shift in the culture and in the industry, and it has kind of brought other things to the forefront of our minds. To reply to your question, Terminal, which had already been shot, it sadly and ironically feels more relevant now, releasing it at this time. It is a classic female revenge story.
– Yet the protagonist in Terminal has a very strong sexual power and vibe that she uses to drive the narrative forward.
– Yes. Vaughn [Stein], the director, and I talked a lot about how Annie has a whole dress-up box and how she can be a chameleon and transform herself into whatever she knows men want to see her as, whether it’s a sexy stripper or a kooky waitress or whatever – she understands the male gaze and knows how it shifts, so she can fulfill her plans where they’re not looking. It was very much a play on the classic film noir or femme fatale trope. And we kind of wanted to lean into that and subvert the tropes in some way.
Margot Robbie on new Harley Quinn film, Tarantino and what made her love her ‘formal’ name. – USA Today
HOLLYWOOD – “Margot” seems too stuffy for Margot Robbie.
No offense to the fancy French Margots of the world, but Aussie actress Robbie, 27, is more exuberant than her name. Hours before the premiere of her new movie Terminal, she’s approachable in jeans and a T-shirt, and lights up when talking about her love of hockey, haunted houses and “any high-adrenaline activity,” as she says.
“I have such a weird, formal name,” the Oscar-nominated actress concedes. “It’s kind of like an old-lady name.”
Maybe she’s more of an Annie?
That’s the name of her mysterious protagonist in Terminal, a twisted neo-noir film that arrives Friday in theaters and on digital platforms such as iTunes and Amazon. The Vaughn Stein-directed movie was the first Robbie produced through her company, LuckyChap Entertainment. It was shot in 2016, back “when we had no idea what we were doing, to be honest,” she says, and before Robbie starred in and produced her acclaimed I, Tonya.
A lot has happened since: In 2017 alone, Robbie worked on five films.
So there was plenty to discuss when she sat down to chat with USA TODAY, including what made the star love her name and why she pushed for a female director on the forthcoming Harley Quinn film.
Question: Your Terminal character is given pet names “Bottled Blond” and “Sugarplum,” which she clearly doesn’t appreciate. Do you like nicknames?
Robbie: At school, I was called “Maggot,” which was horrible and so traumatic and a reason I despised my name. But now I love (my name because) my mom named me after a girl she grew up with.
Margot attends the LA premier of her latest movie “Terminal” in Hollywood along with some of her co-stars. Photos from the red carpet added to the gallery.
Just weeks after being introduced as the latest brand ambassador for Chanel, Margot Robbie has stepped in front of the lens of creative director Karl Lagerfeld to appear in her debut advertising campaign for the French luxury house.
The Australian actress has been selected as the face of Chanel’s first Coco Neige collection, set to hit Chanel boutiques in July and August in tandem with its fall ready-to-wear. The line, dedicated to winter sports and après-ski, mixes technical pieces with classic Chanel codes like tweed, leather and camellia motifs.
Robbie is pictured against a background of blue sky and clouds wearing items including a soft chunky sweater, a parka or a down jacket. The eight visuals will break from June 10 in the July editions of leading international magazines.
“This shoot was one of the greatest experiences of my career. The energy and vibe on set was so wonderful and collaborative,” Robbie said in a statement
“One of the first things Karl Lagerfeld said to me was that we never need to take ourselves too seriously. He has such a creative mind and he knows exactly what he wants and the minute he captured it, we were moving onto the next shot. It was amazing.
“Karl Lagerfeld is a creative mastermind. I already knew he was a genius but to be able to spend time with him in person, I now know he is also just a wonderful human being,” said the actress, who flew to Paris last week to attend the Chanel cruise show and shoot the campaign.
Robbie made her breakthrough in Martin Scorsese’s “The Wolf of Wall Street” and has since appeared in films including “The Legend of Tarzan,” “Suicide Squad” and “I, Tonya,” for which she was nominated for an Oscar, a Bafta and a Golden Globe.
She has a raft of projects in the works, including “Mary Queen of Scots,” in which she stars as Queen Elizabeth I opposite Saoirse Ronan’s Mary Stuart, and Quentin Tarantino’s upcoming “Once Upon a Time in Hollywood,” in which she is set to play murdered actress Sharon Tate opposite Brad Pitt and Leonardo DiCaprio.
Lagerfeld has worked with a host of bold-faced names in recent years, casting the likes of Kristen Stewart, Pharrell Williams, Cara Delevingne, Lily-Rose Depp and Willow Smith in a variety of Chanel campaigns.
Academy Award nominated actress and Nissan Electric Vehicles and sustainability ambassador, Margot Robbie, pulled on her wet suit and used her love of surfing to inspire people to decide for themselves if they want a cleaner, quieter and more sustainable way of driving and living.
Sony Pictures has dated “Peter Rabbit 2” for Feb. 7, 2020, in the U.S. and March 27, 2020, in the U.K., and is bringing back Will Gluck to return to direct and write the sequel.
“Peter Rabbit” has taken in $115 million in the U.S. and is Sony Pictures’ biggest ever non-Bond film in the UK, with a $55.7 million total in that market after holding the top spot for four weeks in a row.
The CGI-live action comedy-drama showed staying power in North America among the family audience in the pre-summer season, taking in an impressive 4.5 multiple off its $25 million domestic opening weekend.
The movie is based on an original story and screenplay by Rob Lieber and Gluck, based on the stories of Peter Rabbit created by Beatrix Potter. The film stars Rose Byrne as Bea, Domhnall Gleeson as Thomas McGregor, Sam Neill, Daisy Ridley, Elizabeth Debicki, Margot Robbie, and James Corden.
The story involves the titular bunny — voiced by Corden, in battle with the heir to Mr. McGregor’s garden.
“Peter Rabbit” has grossed $325 million worldwide. The film notched first-place finishes in 22 territories internationally, including Australia, Russia, Germany and Spain and surpassed both “Paddington” movies. Key markets in South Korea and Japan will launch in mid-May.
Gluck’s other directing credits include “Easy A,” “Annie,” and “Friends with Benefits.”