Margot opens up to Harper’s Bazaar about the transformation in playing Elizabeth I in ‘Mary, Queen of Scots”, her career so far and upcoming movies/projects. The magazine will hit news stands on Nov 20.
Margot in the current issue of Evening Standard Magazine (July 20, 2018). Scans added to the gallery.
Margot Robbie Had a Dialect Coach on Neighbours Because Her Accent Was Too Strong! | This Morning
Hollywood star Margot Robbie chats about her latest dark thriller film ‘Terminal’ and reveals that she actually discovered the script for it on her kitchen table!
As Terminal is hitting screens in Russia and across the globe, TASS’ Dmitry Medvedenko speaks to Academy Award nominee Margot Robbie, the film’s star and producer, about what it’s like to do two jobs at a time, how titles get lost in translation, and how she feels about bad reviews and low scores.
– Terminal is coming to theaters across the globe, you filmed two years ago, and the world has somewhat changed over these two years, hasn’t it?
– Yes, definitely. At LuckyChap, our company, all of our films have a large female element to them, whether it’s a female-driven story because there’s a female protagonist, or written or directed by a female. Obviously, in the last just 8 months, after the #metoo and #timesup movement suddenly we had to look at our projects differently, and some suddenly felt even more relevant, while some felt less relevant. It’s a very big shift in the culture and in the industry, and it has kind of brought other things to the forefront of our minds. To reply to your question, Terminal, which had already been shot, it sadly and ironically feels more relevant now, releasing it at this time. It is a classic female revenge story.
– Yet the protagonist in Terminal has a very strong sexual power and vibe that she uses to drive the narrative forward.
– Yes. Vaughn [Stein], the director, and I talked a lot about how Annie has a whole dress-up box and how she can be a chameleon and transform herself into whatever she knows men want to see her as, whether it’s a sexy stripper or a kooky waitress or whatever – she understands the male gaze and knows how it shifts, so she can fulfill her plans where they’re not looking. It was very much a play on the classic film noir or femme fatale trope. And we kind of wanted to lean into that and subvert the tropes in some way.
Margot Robbie on new Harley Quinn film, Tarantino and what made her love her ‘formal’ name. – USA Today
HOLLYWOOD – “Margot” seems too stuffy for Margot Robbie.
No offense to the fancy French Margots of the world, but Aussie actress Robbie, 27, is more exuberant than her name. Hours before the premiere of her new movie Terminal, she’s approachable in jeans and a T-shirt, and lights up when talking about her love of hockey, haunted houses and “any high-adrenaline activity,” as she says.
“I have such a weird, formal name,” the Oscar-nominated actress concedes. “It’s kind of like an old-lady name.”
Maybe she’s more of an Annie?
That’s the name of her mysterious protagonist in Terminal, a twisted neo-noir film that arrives Friday in theaters and on digital platforms such as iTunes and Amazon. The Vaughn Stein-directed movie was the first Robbie produced through her company, LuckyChap Entertainment. It was shot in 2016, back “when we had no idea what we were doing, to be honest,” she says, and before Robbie starred in and produced her acclaimed I, Tonya.
A lot has happened since: In 2017 alone, Robbie worked on five films.
So there was plenty to discuss when she sat down to chat with USA TODAY, including what made the star love her name and why she pushed for a female director on the forthcoming Harley Quinn film.
Question: Your Terminal character is given pet names “Bottled Blond” and “Sugarplum,” which she clearly doesn’t appreciate. Do you like nicknames?
Robbie: At school, I was called “Maggot,” which was horrible and so traumatic and a reason I despised my name. But now I love (my name because) my mom named me after a girl she grew up with.
Actress Margot Robbie has gone from Ramsay Street to Hollywood and has the world at her feet. She was nominated for an Oscar for I, Tonya, which she also produced, and she was in Australia to talk about her latest film, Peter Rabbit. She sat down last week with 7.30’s Mon Schafter who used to work with Margot on the set of Neighbours.
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Margot has come back to her homeland, this time for the Premiere of her other movie released this year, “Peter Rabbit”.
Photos from todays Premiere and yesterdays press day are added to the gallery!
This report from Dailymail.uk:
Margot Robbie has revealed she signed up for Peter Rabbit in the hopes that she would get a ‘free ticket home’.
But despite several live-action scenes being filmed in Sydney, the Oscar-nominated actress was told she’d be doing her parts in Los Angeles.
She told The Daily Telegraph on Saturday: ‘I’ve wanted to shoot something in Australia for so long, so I’m like, sign me up!’
‘Free ticket home, time with my family and then they were like, “Um, you’re actually going to do your parts in LA!” And I was like, No!’
Despite filming her scenes in the US, Margot was still pleased with how Peter Rabbit – which is based on the Beatrix Potter books – had a very Australian feel.
‘There is a lot of Australian pride connected with this film. Parts of it were shot in Australia (and) there are a lot of Australian cast members,’ she explained.
For Margot Robbie and Allison Janney, personal versions of the truth play out in ‘I, Tonya’ – LA Times
“I, Tonya,” the Craig Gillespie-directed biopic about Tonya Harding, the figure skater banned from competition for life for her connection to a 1994 attack on fellow skater Nancy Kerrigan, has brought its stars — Margot Robbie, who plays an unsinkable Harding, and Allison Janney, as her sharp-tongued mother, LaVona — Oscar nominations, critical acclaim and, not surprisingly, a newfound love for the Winter Olympics. “We’re watching men’s half-pipe,” reports Robbie, jet-lagged and talking via speakerphone while sitting alongside Janney in a London hotel room. “We’re just mesmerized.”
The pair were in town to attend the BAFTAs, where they were both nominees. Before heading off to a party, they took time out to talk about the film’s more nuanced examination of Harding’s life (domestic violence, the skating world’s contempt for her working-class roots), Janney’s annoying parakeet costar and the reaction Robbie, an “I, Tonya” producer, had during her initial reading of Steven Rogers’ script.
“It’s so easy to dismiss these characters and their feelings. But by the end of it, I was devastated, angry and frustrated for them. I’d laugh out loud at something, then immediately feel disgusted with myself that I found it funny,” says Robbie. “To be able to let those feelings creep up on you, instead of being told to feel them? That’s a real art form.”
Parsing what’s true or false is a daily struggle of late. How much do you believe your characters?
Robbie: I knew we’d never know exactly how it went down. Twenty years later, everyone had completely different recollections of the same thing. Truth and reality had parted ways. My character’s truth was not necessarily the reality of the situation. But her version of the truth was far more interesting to me than the facts.
Janney: What made it so fun was the juxtaposition of everyone’s truth. You see LaVona throw a knife at her daughter, then cut to me saying, “What family doesn’t have their ups and downs?” Her truth was that she was a good mother, she gave her daughter an opportunity, and her daughter screwed it up by picking the [wrong] man. Where the reality is? I don’t know.
Read the rest of the interview [HERE]